When the young Mary Rose climbs an apple tree and announces her plans to marry, the news is greeted by her doting parents first with unbridled joy - then, strangely, with furrowed brows . . .
For Mr and Mrs Morland now feel duty-bound to tell Simon, their jovial future son-in-law, about a mysterious incident in their daughter’s past about which they have never spoken . . . not even to Mary Rose herself.
When she was a young girl, Mary Rose and her parents holidayed on a tiny island in the Outer Hebrides. And, one day, Mary Rose disappeared. Without trace.
Until three weeks later, that is, when she suddenly reappeared, wholly unaware that any time had passed. Since then, Mary Rose has appeared unaffected by this extraordinary incident – except, perhaps, for certain moments when her mind has seemed to drift . . . to somewhere else.
Four years after her marriage, Mary Rose returns to the same island with her husband and their young son. And something unthinkable happens. Again . . .
J.M. Barrie’s eerie supernatural drama of youth, love and loss, written in the aftermath of the Great War, was first staged in 1920 – and a young Alfred Hitchcock was one of the many who fell under its spell. So if you enjoyed our recent productions of The Admirable Crichton and Dear Brutus, then this mysterious, deeply moving play, which featured in PFT’s first ever Season in 1951, is not to be missed!
“Hits all the right notes with atmospheric lighting and a haunting soundtrack. . . it’s an enigmatic piece, a beautifully crafted production”The Courier
"rich and thoughtful new production [which] gives every strand of this strange period piece its full human weight"The Scotsman
"a palpable sense of poignancy"The Herald
"Subtly chilling tale that echoes Peter Pan"The Times
Director Richard Baron
Lighting Designer Wayne Dowdeswell
Composer Jon Beales
Stage Manager Kay Hesford
Deputy Stage Manager Maggi Lindsay
Assistant Stage Manager Heather Saunderson
Writer and playwright J.M. Barrie was born on May 9, 1860, in Kirriemuir, Forfarshire, Scotland. After graduating from Edinburgh University in 1882, Barrie worked as a journalist. He published his first novel, Better Dead, in 1887. Barrie soon had a string of popular novels set in Scotland, including A Window in Thrums (1889).
After having some success with fiction, Barrie began writing plays in 1890s. His play, Walker London, was warmly received. The comedy poked fun at the institution of marriage. He got married himself in 1894 to actress Mary Ansell, but it didn't turn out to be a happy union. (The couple later divorced.)
Perhaps to escape his difficult home life, Barrie took to going out for long walks in London's Kensington Gardens, where he met the five Llewelyn Davies brothers in the late 1890s. He found inspiration for his best-known work—Peter Pan—in his friendship with the Davies family. (Barrie would later become the boys' guardian after the death of their parents.)
After Peter Pan, Barrie continued writing, mostly plays aimed at adults. Several of his later works had a dark element to them. The Twelve-Pound Look (1910) offers a glimpse inside an unhappy marriage and Half an Hour (1913) follows a woman who plans on leaving her husband for another man, but she decides she must stay when her husband severely injured in a bus accident. His last major play, Mary Rose, was produced in 1920 and centered on a son visited by his mother's ghost.
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