Celebrated and charming novelist Charles Condomine has invited a local medium and eccentric, Madame Arcati, to hold a séance at his house, as research for his latest book. Rather surprisingly, the hapless Arcati calls up the ghost of Charles’ first wife – the alluring Elvira. Safe in the knowledge that only Charles can see her, Elvira embarks on a series of troublesome events that quickly move from somewhat harmless to very dangerous…
Blithe Spirit is Coward’s most successful, inventive and highly-spirited comedy. It was the longest-running hit of his career, the film version of which memorably starred Rex Harrison and Margaret Rutherford.
If you relished our 2013 production of Present Laughter, then you’ll love this mischievous comedy that’s pure Coward at his nonchalant and sardonic best.
Director Gemma Fairlie
Set and Costume Designer Adrian Rees
Lighting Designer Johanna Town
Sound Designer Paul Falconer
Stage Manager Kay Hesford
Assistant Stage Manager (book) Annie Winton
Assistant Stage Manager Lily Howarth
Noël Peirce Coward was born in 1899 and made his professional stage debut as Prince Mussel in The Goldfish at the age of 12, leading to many child actor appearances over the next few years. His breakthrough in playwriting was the controversial The Vortex (1924) which featured themes of drugs and adultery and made his name as both actor and playwright in the West End and on Broadway. During the frenzied 1920s and the more sedate 1930s, Coward wrote a string of successful plays, musicals and intimate revues including Fallen Angels (1925), Hay Fever (1925), Easy Virtue (1926), This Year Of Grace (1928), and Bitter Sweet (1929). His professional partnership with childhood friend Gertrude Lawrence, started with Private Lives (1931), and continued with Tonight At 8.30 (1936).
During World War II, he remained a successful playwright, screenwriter and director, as well as entertaining the troops and even acting as an unofficial spy for the Foreign Office. His plays during these years included Blithe Spirit, which ran for 1997 performances, outlasting the War (a West End record until The Mousetrap overtook it), This Happy Breed and Present Laughter (both 1943). His two wartime screenplays, In Which We Serve, which he co-directed with the young David Lean, and Brief Encounter quickly became classics of British cinema.
However, the post-war years were more difficult. Austerity Britain – the London critics determined – was out of tune with the brittle Coward wit. In response, Coward re-invented himself as a cabaret and TV star, particularly in America, and in 1955 he played a sell-out season in Las Vegas featuring many of his most famous songs, including Mad About the Boy, I’ll See You Again and Mad Dogs and Englishmen. In the mid-1950s he settled in Jamaica and Switzerland, and enjoyed a renaissance in the early 1960s, becoming the first living playwright to be performed by the National Theatre, when he directed Hay Fever there. Late in his career he was lauded for his roles in a number of films including Our Man In Havana (1959) and his role as the iconic Mr. Bridger alongside Michael Caine in The Italian Job (1968).
Writer, actor, director, film producer, painter, songwriter, cabaret artist as well as an author of a novel, verse, essays and autobiographies, he was called by close friends ‘The Master’. His final West End appearance was Song At Twilight in 1966, which he wrote and starred in. He was knighted in 1970 and died peacefully in 1973 in his beloved Jamaica.
For further information on Noël Coward’s life and work, visit www.noelcoward.com and to join the Noël Coward Society, visit www.noelcoward.net.
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